I made a 999 call last night, my first in a long time, my first since ever to be truthful. It was ace.
A squealing, high-pitched, caterwauling strangled bark echoed along Brokesley Street at 1am, dragging my synapses out of the drunken corpse I had morphed into over the past few hours in the pub. Kate was there beside me, as this I think male voice screeched in a really upsetting way. It was a kind of drunk voice, but it was disturbed, and disturbing.
'Kieran!' or 'Karen!' he yelled. I don't know if it mattered, the sex. He was calling them a 'pervert' or 'perverted', he was screaming it all along the street, crying, whimpering. It was really high pitched and girlish. But maybe that's what happens to a man's voice when you're totally distressed. I can honestly say I've never really suffered, that's all to come, but I couldn't make out any nuances in the discordant shrill that helped me define it as either genuine misery or just cockeyed gurgling.
I started envisioning what could have happened to the guy. Had he been raped or something? Would you describe that as perverse? Rape is more than just perverse. I mean everyone has their own sexual practice barometer. Perhaps Kieran just wanted to try out some kind of plastic bag-induced euphoria in a valiant bid to recycle, or a unique spin on tea-bagging that just left the guy feeling empty, or something to do with crystal meth, I don't know, crystal meth upside-down cakes. Whatever it was this guy had took it badly.
Anyway, he started banging on our door, really loudly, fists and feet. Was someone in pursuit of him and he needed to hide in the house? But why was he wailing about Kieran being perverse? He'd be saying something more concrete like 'let me in' or 'open up' or 'help', but he wasn't. He was just banging away as if Kieran was just behind the door.
I wasn't going to let him in, obviously. He sounded mental, and he'd just start crying and thrashing around and maybe put a rock in my face. It reminds me of the time when I was 12 and a woman who was either drunk or on drugs came round the house and insisted she'd run a bath and had seen sharks in it. Actual sharks, and she was confused and crying. This is on a middle class housing estate in North Bucks, around 4pm. Me and my mum didn't know what to do. And we couldn't get rid of her. She wanted a light for her cigarette but mum thought she might burn down the house or something. I didn't want another one of those, even if Kieran had been perverse to this guy and he needed to talk to someone about it, loudly and probably with a hammer.
Kate told me to ring 999, so I did, and I sort of forgot how I'd always been told the rigmarole goes: you choose your emergency service and then they put you through. I said police, for a moment slightly unsure that I'd made the right decision. A fire engine was useless, and it didn't strike me he needed an ambulance, although it's possible the perverse act in question might have involved his mouth/nose/anus/arm/balls/penis, and any one, if not all, of those body parts could have been harmed, given the severity of his howls. Another reason not to invite him in, I guess - a carpet with fugitive testes ground in to it is a sizeable chunk out of any deposit.
The woman I spoke to made sure that I wasn't actually going to let him in the house. I gave her my address, my postal code and I just told her plain what had happened.
I went downstairs to Kate again, and it had all gone quiet. No-one came round. I didn't have to sign anything or have to make a cup of tea for behatted officers. We heard a few sirens but then I live just by the Mile End road, so it's not unusual to hear that. It's a day later and the police haven't called or anything. I guess this guy's alive and better now. I hope he stays away from Kieran, he's definitely bad for him, that's a relationship going nowhere.
When I came back with eggs from Tesco this morning, I checked our bin to make sure there wasn't a bloodied head in it. Or some balls.
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The new Morrissey album is out tomorrow. I loved Morrissey as a teenager, and I studied pretty much everything he did: interviews, bon mots between songs, head tilts, mic cord whippage, self deprecating wit interlocked with a brazen arrogance. I got into him in 1995, the year of Vauxhall and I, his last great album. I went back to the Smiths and really got my hands dirty with the canon. Morrissey wove his way into my life utterly, threading his songs through my adolescent cultural revolution, dictating the books I read, the films I saw, my attitudes, my social behaviour, my intellectual aspirations. It was brilliant to be into Morrissey at 15 - I was a blank canvas and he held the brush. He helped form whatever I am now. I genuinely would not be the same person if I'd instead devoted hours of my teenage years to Color Me Badd.
In 1997 he released Maladjusted, a collection of witty titles more than actual songs, and on the front cover he had shorn the quiff. I too razored my hair off. Then, whilst he wandered into the wilderness without a record deal, I went to university, and discovered Beck, and Jim O'Rourke, and Outkast, and Nick Cave. Morrissey seemed pretty conservative in comparison. I still bought 2004's You Are The Quarry and 2006's Ringleaders of the Tormentors. They were OK, sapped of the sexual mystery of his earlier work, leaden musically, with occasionally comedic lyrical twists. But I never felt them like I felt the others.
I'll buy the new one, Years of Refusal. I'm actually excited about it. The lead single is straight forward, post-good Morrissey, and he's said 'In the absence of your love, and in the absence of human touch, I have decided I'm throwing my arms around Paris because only stone and steel accept my love' many times before and in many more interesting ways. But he's a signifier for the teenage me, diluted, that I return to selfishly, idiotically, like a double duvet in summer.
I wish he'd get like a hot shit producer or something though.